The CanonEOS C700 GS PL Camera is a versatile and professional camera for the shooter looking to add some professionalism to thier projects. The 12-o'clock position of the PL mount is home to the Cooke /i lens interface, which passes lens information, such as aperture, focal length, and focus distance in real-time from compatible lenses for electronic display as well as metadata useful in VFX workflows. Beyond the lens mount is the first stop in the C700's imaging pipeline, the 4.2K global-shutter CMOS image sensor. The global shutter exposes every pixel on the sensor simultaneously. As opposed to rolling shutters found in most cinema cameras, this global shutter will be free of distortion that can be caused by fast moving objects passing through the scene or intense camera movements.
The Canon EOS C700 GS PL Camera is capable of 4K recording at 60p to CFast 2.0 cards using the XF-AVC format. Also available are Apple's well-regarded ProRes formats for direct-to-edit workflows. Raw recording is another possibility through Canon's separately available Codex Digital Recorder which simply clips onto the rear of the C700's modular design.
While the Canon EOS C700 GS PL Camera is a fairly advanced piece of equipment, Canon has implemented a familiar user interface. Most basic functions can be accessed through the six buttons surrounding the screen. More advanced settings can be found using the simple selection dial and set buttons.
I/O options for nearly any application can be found on the C700's side panel. Video, audio, control, and power inputs and outputs are available for implementations ranging from ENG-style run-and-gun to high-budget cinema productions.
While the C700 is a production powerhouse all on its own, its modular design lets the user customize the form factor to fit their use case. The rectangular body has enough real-estate to be shoulder-mounted for handheld shooting or secured to a dovetail on professional grip equipment with ease. And for the first time on a Cinema EOS camera, native V-mount battery support is available via an installed IDX battery plate
The inclusion of Apple's ProRes codec inside the C700 enables shooters who require a quick turn-around to go direct-to-edit on many NLEs without any transcoding necessary. In 4K the 422 HQ flavor is implemented, and is supported up to 30 fps. In 2K mode, 10-bit 422, 10-bit 422HQ, and 12-bit 4444 can be used. High frame-rate recording is supported up to 180 fps using the 10-bit 422 flavor combined with the 2K center crop. All formats are conveniently recorded directly to the CFast 2.0 cards.
By removing the battery mount on the rear of the camera, and using the included bracket, a Codex Digital raw recorder can be installed using the included bracket. 12-bit DCI 4K raw files will be recorded onto separately available Codex Digital Capture Drives and will be instantly compatible with the robust Codex Digital workflow.
The viewfinder and monitoring outputs will display a translucent area around the image that is being recorded. Having that area lets the operator see what's happening outside the recorded frame.